ABOUT ME

Sarah Riggs is a writer and artist, born in New York where she is now based, after having spent over a decade in Paris.  Before directing Six Lives: A Cinepoem, she produced The Tangier 8 at the Cinémathèque de Tanger in Morocco, which was screened at the Berlin Film Festival and the Tate Modern Museum among other international venues. She is the author of seven books of poetry in English: Waterwork (Chax, 2007), Chain of Minuscule Decisions in the Form of a Feeling (Reality Street, 2007), 60 Textos (Ugly Duckling, 2010), Autobiography of Envelopes (Burning Deck, 2012), Pomme & Granite (1913 Press, 2015) which won a 1913 poetry prize, Eavesdrop (Chax, 2019) and The Nerve Epistle (forthcoming Roof Books, spring 2020/21). She is the author of the book of essays Word Sightings: Poetry and Visual Media in Stevens, Bishop, & O’Hara (Routledge, 2002), and has translated and co-translated six books of contemporary French poetry into English, including most recently Etel Adnan’s Time (Nightboat, 2019).  She is the director of the international arts organization Tamaas (www.tamaas.org) which focuses on environmental arts activism. She is also a member of bilingual poetry association Double Change (www.doublechange.org). Sarah Riggs has taught in recent years at Pratt Institute in Brooklyn after years of teaching at the NYU and Columbia programs in Paris, and before that at the University of Michigan, Ann Arbor, where she got her Ph.D. in literature. Inspired by filming the dance of Stéphane Bouquet, choreographed by Mathilde Monnier for the Essaouira section of Six Lives, she is  doing a residency on a Casablanca rooftop mixing film, dance and poetry with La Source du Lion and making a film about four New York choreographer dancers.